機器人總動員觀後感

此時的地球如果能夠用一個詞來形容的話，那便是滿目瘡痍了。在經歷了人類無限制的開發之後，這裡已經沒有了綠色，海洋不再是生命的源頭，更像是生命的禁區。

整個世界一片廢墟，垃圾滿盈，人類也早已脫離了此地——曾經的生命搖籃。地球上每日似乎只有一個活躍的身影，他就是瓦力。一個清理垃圾的機器人。他所做的便是日復一日的，用自己的身體把垃圾規矩成矩形，然後再一排一排的堆疊起來。這樣的工作縱使是日復一日，年復一年，看起來仍是沒有盡頭，當然只要有電，瓦力就會不斷的幹下去，看上去故事就會沿著這樣的順序發展下去，但一切的一切似乎都擁有轉機。就像在這個毫無生命力可言的星球上一樣，即使沒有綠色，即使不復海洋，但是，這裡太陽照常升起。《機器人人總動員》講述的便是這樣一個故事。

作文：機器人總動員觀後感

保護環境，愛護家園

——《機器人總動員》觀後感

《機器人總動員》是一部沒有多少臺詞，卻非常值得看的影片！一部相當好的動畫片。

故事要從2700年說起，話說人類依靠自己的小腦袋瓜發明了各種各樣的機器裝置電子產品，為他們提供各種生活服務，譬如，如果你餓了，就喊大餅子，吱吱……大餅子就被運到你身邊了.再來杯永和豆漿,馬上一杯熱乎乎的永和豆漿就在你眼前了。從此過上了衣食無憂的生活。缺乏運動的人類都成了胖墩,下半生只能在輪椅上度過了,在輪椅上發出各種指令操縱機器人,由於人類製造垃圾太多,太快,大自然都來不及消化,最後垃圾越來越多,導致了地球難以繼續生存,人類只好整體遷移到外太空,生活在飛船上,但是地球上的垃圾咋整呢?他們就製造了很多很多的垃圾清理員機器人,留在地球上處理垃圾,但是垃圾太多,機器人們都被累殘廢了,但是其中一個叫“瓦利”的機器人,他就像《士兵突擊》中的許三多一樣憑著“不拋棄，不放棄”的理念，兢兢業業，勤勤懇懇的處理垃圾，把人類扔的好多可以用的東西拿回去用。又過了很久，人類又派來了一個機器人－－伊娃。她是來地球上尋找生命的，在瓦力的幫助下，他們找到了一株小草，伊娃帶著瓦力和小草來到了人類的太空飛船上。船長看到小草，非常高興，決定帶領人類回到地球上去，可是卻被兩個壞機器人關了起來。在伊娃和瓦力的幫助下，船長被救了出來，打敗了壞機器人。人類終於回到了蔚藍色的地球，重新開始了美好的生活。

電影《機器人總動員》主題極為豐富，因為看完後觀眾會發現這部片子是動畫片，又像科幻片，還像是個愛情故事，又有點環保教育片的味道。主題的充實與多樣促使了這部電影留給觀眾更多遐想的空間。

這部戲雖然講瓦利和一文之間的故事，以一兩個機器人間的情感戲為主，他們的感情打動了觀眾。，除了他們的故事，這部影片還要滲透最重要的環保意識，片子是以垃圾為背景展開描述的，開場垃圾堆積的像大廈一樣高，一棟棟的豎立在廢棄的大廈旁邊……看到這樣的畫面，所有的這一切是由於人類肆意破壞生態環境造成的，發人深省。在我們日常生活中，我們不能僅4把環保喊成一句口號，更重要的是體現在行動上。不亂扔垃圾，不浪費不可再生資源，不砍伐樹木……也要設法去培養下一代保護環境的習慣，讓地球可以為人類終身服務，直至永遠……

《機器人總動員》觀後感五篇

《機器人總動員》這是一篇關於環境保護的災難片，下面是的我為你們整理的文章，希望你們能夠喜歡

《機器人總動員》觀後感

因為有你的存在

我的世界充滿了希望

因為有你

我對明天充滿了愛

那麼一段不起眼的愛情在心目中鑄就了愛

有了它的完美

一切如醒不了的夢

突然地

你離我悄然而

真的希望很靜很靜地離

對那些不適合在一起的東西

我是不是該選擇放棄

在放棄時

因為你我還需要勇氣

《機器人總動員》觀後感

片中有兩個主角瓦力和夏娃，他們是兩個機器人。片中用誇張手法塑造了保護環境的重要性，已經如果整天衣來伸手飯來張口的日子，將會早就一群一事無成的人。

片中著重說了綠色的重要和人們對它的依賴，告訴我們保護環境的重要性。

《機器人總動員》觀後感

如果地球因人懶不愛護自然環境。人類只依靠現代機器幫助自己生活。不活動最後連路都站不起來。人類也要保護自然環境不亂扔辣椒不能讓地球成垃圾世界。人也需要愛。愛包括很多，愛心是人類生存在世上必不可少的一種愛。人類要多 植樹少汙染空氣。讓世界成為綠色之間。

《機器人總動員》觀後感

看完了這部電影，我深有感觸：一部關於保護的電影，講述了一個機器的生活和他經歷的事。告訴我們要保護環境，不能破壞我們生活的環境，要保護我們生活的環境。如果濫砍亂伐，我們就會失植物，失我們生活的地方，失動物，破壞了生態平衡，導致我們失生活，變得懶惰。因此我們要保護環境，植樹造林，熱愛生命和生活。

《機器人總動員》觀後感

看了這場電影后，我明白了環境的重要性。如果我們一而再再而三的破壞環境，那麼700年後的地球將是一片廢墟，所以從現在開始，我們應該學會保護環境，愛護地球。除了保護環境後，我們還要做到鍛鍊身體，使自己健健康康，不受肥胖的折磨，不受因胖而導致的工作、學習、生活的限制。為了我們美好的生活，為了我們美好的明天，讓我們攜手一起共創美好的明天!

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機器人總動員英語觀後感

1Who says popular films are not and cannot be art? If anything is proof that popular films can be of a stunningly high quality, the beauty of the animation, writing, music, and sound design in "WALL·E" is it. "WALL·E" eclipses even Andrew Stanton's "Toy Story" and "Toy Story 2" in the Pixar pantheon, is perhaps Pixar's best film to date and, call me crazy as I've just seen it, a contender for the title of best animated film, period.

"WALL·E" is everything we've come to expect from Pixar and more- colorful, vibrant, imaginative, exciting, involving, beautiful, and most importantly a film with interesting, involving characters. Sure, WALL·E is adorable, and as much credit as the animators get for that, this film would be nothing without Stanton's screenplay, which features very little dialogue but is still notably intelligent and surprisingly subtle, making a refreshing change from the 'go green' campaigns we're all so used to. Does "WALL·E" have a message? Sure, but it's an important message and it is delivered subtly and beautifully.

"WALL·E" operates on two levels (and works spectacularly well on both). It is a majestic science fiction epic like we haven't seen in a couple of decades and it is a genuinely touching and never cheap romance. "WALL·E" will never get points for originality but it doesn't exactly need them because the homages to great films and figures of the past- Chaplin, Keaton, Tati, the Marx Brothers, "2001: A Space Odyssey" (this one is particularly spectacular), "Close Encounters of the Third Kind" are actually homages and not ripoffs. "WALL·E" is a wonderful tribute to a bygone cinematic tradition (well, two or three of them actually).

The social commentary in "WALL·E" is sobering because it's never overbearing and most importantly because we see the world through machines, machines who feel more about Earth and life than the humans do. The depiction of humans on the ship could have been incredibly offensive, cheap, and tasteless in concept but the execution here is absolutely perfect.

What is most surprising about "WALL·E" is how sad it is. Not even in the 'how will they get out of this, oh I feel so sorry for them' way "Finding Nemo", a previous Stanton effort, is, but in a truly melancholy sense. The early portion of the film maintains all the playfulness of a Jacques Tati film but also evokes a striking and powerful feeling of loneliness. It's a brilliant introduction to WALL·E, given that the rest of the film is too wacky to bother with long scenes focused entirely on character, and works beautifully with the ugly yet beautifully-rendered future Earth, a barren wasteland filled with nothing but garbage, a seriously resilient cockroach being WALL·E's only companion before EVE shows up, but I won't go into the story- it's best you see it unfold for yourself.

From the entertaining shorts shown before the film to the memorable characters, locations, and animation we have come to expect, Pixar films are now event cinema, and they have outdone themselves with "WALL·E". This film is spectacular, majestic, touching, involving, and achingly beautiful. Most importantly, however, it is perfect entertainment. I may be saying this too soon, but I don't think I have ever seen an animated film that has satisfied me more than "WALL·E", and 2008 is going to have to work hard to keep this from being the top film of the year, which it most certainly is at the moment.

-E, Pixar's latest film, is about a robot named WALL-E (or 'Waste Allocation Load Lifter, Earth-Class'), who is the only thing left on earth with some sort of emotion. He meets another robot named EVE, and the trip begins.

It's hard to describe in words how incredible I personally find this film.

The animation is flawless. Absolutely flawless. Especially on earth and the robots. It looks real. Much of the time it's impossible to tell whether or not it is real. The few slightly-shaky styled shots that appear a few times in the film only makes the animation that much more amazing and realistic. The humans are really good, too, while not realistic in the sense of you seeing it right now in real life, but they do have a realistic feel to them. The thing with the humans, I believe, is that they were purposefully meant to have this slightly rounded, slightly unrealistic feeling.

I believe the reason is to take a satirical look at humans, and what our goals for a future, perfect utopia, is. It questions what we want, and shows you what is a very, very likely outcome of our desires for a 'better' world, showing both positive and negative effects. The animation for the humans, I believe, was made rounded and slightly more cartoonish to emphasize that that is how we will become. Fat, lazy, yet so perfect. At times, especially with that perspective on the humans, they actually do look very real.

The story is brilliant. There are many little things in the film that have so much meaning to them. There are things that will be nostalgic to older viewers, and things that younger viewers will love to look at. However, it does steer for the cheesy, cliché aspects of a child's film, yet still remaining a completely G-rated film.

I don't call this a child's film at all. Not because it has adult material, because it doesn't. I say this because the film is perfect for everyone. Literally, everyone. There are things in it every person can enjoy, no matter who they are. It has obvious homages to Stanley Kubrick's "2001: A Space Odyssey", and any adult who remembers seeing that film will notice this.

WALL-E is such a lovable character. I've never felt so much emotion for one character. He will definitely go down in history as iconic as Darth Vader, or Indiana Jones. I was so close to crying at pivotal parts in the film, and although I didn't fully break out and cry, I have never felt so much emotion in my heart with any other film as I did with this one.

EVE is very fun and interesting. One scene in particular, with her, was so beautiful, that my eyes got teary. Her chemistry with WALL-E is so oddly perfect. They are so different in appearance and personality, yet they work so well together.

The other robots are all lovable, except for the "enemy" robots, who still add much depth to the film. In particular, M-O was the cutest, obviously not counting WALL-E.

Pixar has always made great animation films. But this, without a doubt, tops all of their own film, and most other films. It restores faith in the animation films. It captures the magic and wonder as past Disney films, which is something I have not seen in most modern animation films.

I would not be surprised at all if this won for best picture of the year. It deserves it more than anything.

This is one of greatest achievements in cinematic history, and I encourage everyone to see this.